一切安好

5.7

主演:  

导演:潘礼德 

播放来源

剧情介绍

大陆剧《一切安好》是一部潘礼德导演在 剧。  A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.。欢迎在线观看  剧《一切安好》,乐乐影院第一时间为你提供《一切安好》,如果你喜欢《一切安好》请把它分享给的朋友,有您们的支持我们会做的更好。祝你观片愉快! 详情

精彩影评

    游客 2022-07-25
    #72ndBerlinale 3.5《残缺影像》+《辐射》+…「声音设计」不错//杰出艺术贡献奖


    游客 2022-07-25
    黔驢技窮又一例


    游客 2022-07-25
      A megalith rises from a sandy desert – or rather a scale model of such a landscape. “I am the archive” says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a ...


    游客 2022-07-25
    #72ndBerlinaleWeltbetrieb 槽吐过了冷静回头想想觉得还是牛逼的,睡着的20分钟主要是赶场太累+信息量过载大脑直接当机,此刻甚至想再回头看一遍。


    游客 2022-07-25
    延续《辐射》对散文风格和archival image的运用,并加入了更容易让观众理解与进入叙事的粘土动画作为寓言故事的主轴,表现形式上有让人耳目一新的地方。但从20世纪全体主义批判的角度来评论人类世、生态问题和网络文化等21世纪议题则是一个难以让人满意的狭窄视角。从其个人经历角度可以理解潘的出发点和思考模式,但从智力层面难以苟同——对《辐射》的一切不满在这里依然可以成立。


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